
Cutting dialogue like you mean it
When to stay on the speaker and when to cut away, without telegraphing the move.
Read the piecePractical, occasional writing on editing, color and retouching. Notes we would have wanted when we started.

When to stay on the speaker and when to cut away, without telegraphing the move.
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The histogram is not a beauty filter — it is a map of the scene, and it rarely lies.
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Where portrait retouching loses dimension, and how to keep the light structure intact.
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